Place of Birth:
Park Ridge, Illinois, USA
Date of Birth:
7/1/1939
Karen Blanche Black (née Ziegler; July 1, 1939 – August 8, 2013) was an American actress, screenwriter, singer, and songwriter. She rose to prominence for her work in various studio and independent films in the 1970s, frequently portraying eccentric and offbeat characters, and established herself as a figure of New Hollywood. Her career spanned over 50 years and includes nearly 200 credits in both independent and mainstream films. Black received numerous accolades throughout her career, including two Golden Globe Awards, as well as an Academy Award nomination for Best Supporting Actress. A native of suburban Chicago, Black studied theater at Northwestern University before dropping out and relocating to New York City. She performed on Broadway in 1965 before making her major film debut in Francis Ford Coppola's You're a Big Boy Now (1966). Black relocated to California and was cast as an acid-tripping prostitute in Dennis Hopper's road film Easy Rider (1969). That led to a lead in the drama Five Easy Pieces (1970), in which she played a hopeless beautician, for which she was nominated for an Academy Award and won a Golden Globe for Best Supporting Actress. Black made her first major commercial picture with the disaster film Airport 1975 (1974), and her subsequent appearance as Myrtle Wilson in The Great Gatsby (1974) won her a second Golden Globe for Best Supporting Actress. Black starred as a glamorous country singer in Robert Altman's ensemble musical drama Nashville (1975), also writing and performing two songs for the soundtrack, which won a Grammy Award for Best Score Soundtrack. Her portrayal of an aspiring actress in John Schlesinger's drama The Day of the Locust (also 1975) earned her a third Golden Globe nomination, this time for Best Actress. She subsequently took on four roles in Dan Curtis' anthology horror film Trilogy of Terror (1975), followed by Curtis's supernatural horror feature, Burnt Offerings (1976). The same year, she starred as a con artist in Alfred Hitchcock's final film, Family Plot. In 1982, Black starred as a trans woman in the Robert Altman-directed Broadway debut of Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, a role she also reprised in Altman's subsequent film adaptation. She next starred in the comedy Can She Bake a Cherry Pie? (1983), followed by Tobe Hooper's remake of Invaders from Mars (1986). For much of the late 1980s and 1990s, Black starred in a variety of arthouse, independent, and horror films, as well as writing her own screenplays. She had a leading role as a villainous mother in Rob Zombie's House of 1000 Corpses (2003), which cemented her status as a cult horror icon. She continued to star in low-profile films throughout the early 2000s, as well as working as a playwright before her death from ampullary cancer in 2013. Description above from the Wikipedia article Karen Black, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nashville
Men
Malaika
House of 1000 Corpses
The Player
I Woke Up Early the Day I Died
Little Laura and Big John
The Great Gatsby
The Day of the Locust
Born to Win
Out of the Dark
Dinosaur Valley Girls
Family Plot
The Invisible Kid
Cut and Run
Invaders from Mars
Children of the Corn IV: The Gathering
Gypsy 83
Five Easy Pieces
The Outfit
Airport 1975
One Long Night
Burnt Offerings
Evil Spirits
Plan 10 from Outer Space
Killer Fish
Rubin & Ed
Auntie Lee's Meat Pies
Haunting Fear
Night Angel
You're a Big Boy Now
Children of the Night
Invisible Dad
Soulkeeper
Trilogy of Terror
New York Crossing
Firecracker
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
Homer and Eddie
Hard Contract
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
It's Alive III: Island of the Alive
Stuck!
Bury the Evidence
Some Guy Who Kills People
A Gunfight
Ghost Writer
Mirror Mirror
Wanderlust
Separate Ways
Cisco Pike
The Pyx
Drive, He Said
Savage Dawn
Conceiving Ada
Red Dirt
Eternal Evil
The Roller Blade Seven
Maria My Love
Mommy's Little Monster
America Brown
Mascara
Crimetime
No Subtitles Necessary: Laszlo & Vilmos
Irene in Time
Dogtown
Portnoy's Complaint
Bound and Gagged: A Love Story
The Grass Is Singing
In Praise of Older Women
Crime and Passion
Law and Disorder
Can She Bake a Cherry Pie?
Easy Rider
Light Speed
Martin's Day
Mythos Hollywood - Das Geheimnis des Erfolgs
Ooga Booga
Charades
Overexposed
Blood Money
Quiet Fire
Club Fed
The Squeeze
Nothing Special
She Loves Me Not
Judgement
Hostage
Rhinoceros
The Prime Time
The Voluptuous Horror Of Karen Black: Teather Penumbra
Dr. Rage
Caged Fear
Miss Right
Return of the Roller Blade Seven
The Strange Possession of Mrs. Oliver
Where the Ladies Go
Bad Manners
Trailer for a Remake of Gore Vidal's Caligula
The Legendary Life of Ernest Hemingway
Hollywood Dreams
Zapped Again!
Going Clear: Scientology and the Prison of Belief
Wamego: Ultimatum
Contamination
Wild in Blue
Twisted Justice
The Underground Comedy Movie
Hawk Warrior of the Wheelzone
Curse of the Forty-Niner
Fallen Arches
Dixie Lanes
Power
Police Story: Confessions of a Lady Cop
Letters from the Big Man
Bottomless Pit
Angel Blue
OowieWanna
On the tracks of a filmmaker
BBStory: An American Film Renaissance
Paris
Cries of Silence
Capricorn One
The Double 0 Kid
Chanel Solitaire
The Last Word
The Children
Plotting 'Family Plot'
Mr. Horn
The Independent
Final Judgement
Stir
Starstruck
Flight of the Spruce Goose
Easy Rider: Shaking the Cage
Repo Chick
Double Duty
Legend of The Roller Blade Seven
Teknolust
Best of Tromadance Film Festival: Volume 1
Paradise Cove
The Little Mermaid
Too Bad About Jack
Oliver Twisted
Tuesday Never Comes
A Single Woman
A Light in the Darkness
Dead Girls Don't Tango
Fatal Encounter
Deadly Dolls: Deepest Cuts
Harold Buttleman: Daredevil Stuntman
Henry Jaglom Finds 'A Safe Place'
The Donor
Read You Like a Book
Because He's My Friend
The Wacky Adventures of Dr. Boris and Nurse Shirley
The Trust
Fertile La Toyah Video Magazine #2: The Kinky Issue!
The Last Horror Film
Watercolors
WAMEGO: Making Movies Anywhere
Ralph S. Mouse
Whitepaddy
Who Is Henry Jaglom?
Dark Blood
Menage a Trois
Altman on His Own Terms
Jack Nicholson: The Joker Is Wild