Place of Birth:
Salvador - Bahia - Brazil
Date of Birth:
5/23/1942
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Luz-Lux-Lúcia
Joy Is the Acid Test
The Good Cinema
Embodiment of Evil
Celebração - 100 Anos do Cinema Nacional
The Mother
O Pátio
O Mel é Mais Doce Que o Sangue
The Priest and the Girl
A Familia do Barulho
The Woman of Everyone
Copacabana Mon Amour
The Sign of Chaos
Memoirs of a Strangler of Blondes
A Grande Feira
It's Not All True
A Balada do Provisório
No Way, Spider
Hotel Atlântico
Helena de Guaratiba
Baron Olavo, The Horrible
Face To Face
Meu Mundo em Perigo
Watch Out, Madame
Assault on the Pay Train
Not Even God Is As Fair As Your Jeans
The End of an Age
Paixão e Virtude
Glauber Rocha - The Movie, Brazil's Labyrinth
Love Film Festival
B2
O Engano
The Red Light Bandit
Oswaldianas
Spray Jet
Grito da Terra
Rio de Topless
A Última Vanguarda
Scent of Gardenias
Memórias do Grupo Opinião
Nelson Carneiro: Knight of Democracy
São Jerônimo
Retrato da Terra
Carnaval na Lama
The Outsiders
If I'm Here It Is by Mystery
Abry
The Long Voyage of the Yellow Bus
Ralé: The Lower Depths
Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade
Helena Zero
A Miss e o Dinossauro
Mr. Sganzerla: Os Signos da Luz
A Man and His Cage
O Cinema Foi à Feira
Anônimo e incomum
Avacalha e se Esculhamba
Febre
Antes do Fim
My Calendar Girl
All Paulos in the World - Paulo José
The Monsters of Babaloo
Mulheres de Cinema
Flying Geraldo
Venus – Filly the Lesbian Little Fairy
Terno
Copacabana, Mon Amour: A Restauração
A Mulher da Luz Própria
Flesh
A Vermelha Luz do Bandido
The Welles Raft
Extracts
Estátua!
O Desmonte do Monte
Ensaio Sobre o Fracasso
Natureza Morta
Ossos
Poder dos Afetos
Reinvenção da Rua
Bring me the Head of Carmen M.
A Bela P...
Esse fim de semana vou me dedicar as paredes
Fogo Baixo, Alto Astral
Perigo Negro
Brazilian Cinema in the 20th Century
In Memoriam: O Roteiro do Gravador
Race Antenna
Desculpa, Dona Madama
Candango: Memoirs from a Festival
Mulher Oceano
Ugly, Me?
Subterrânea
The Lady Who Died in the Trailer
Um Documentário Brasileiro
Inaudito
Nova Pasta, Antigo Baú
Benjamim Zambraia e o Autopanóptico
Light in Darkness: The Return of Red Light Bandit
Um Intruso no Paraíso
Belair
Flesh
Trópico de Leão
Deuses da Peste